PrivateMonster Island : Dream Tiger (US,2001)***

The style of this cd is psych folk pop. They describe it themselves as acid folk which is somewhat correct too. Instrumentally it is a combination of a 70's psychfolk inspiration, sparsly combined with some newer underground pop influences. The mixture of instruments is impressive and is very nice to hear : oud, sitar, tanpura, harmonium, shakuhachi, djembe, gamelon, guitars, bass, cello, flute, drums, Chinese organ, water harp, mini-moog, gongs. I only wished I heard their contributions a bit more. At first, I was slightly puzzled by the combination of influences, of the 80's acoustic underground pop, like in the singing in a few songs with the more dreamy psych folk, for I never thought anyone would ever combine these two worlds. But the more I listedned to the CD, the more I liked what they did. More than one song, like "Halloween" sounds close to the Fit and Limo style. I found it an interesting release. B.T. found it more child-like in its spiritual context, but I didn't care.

The group released before an LP in 1995,called "From the Michigan Floor",and a live cd in Detroit cd from 1999.
Also recently released in 2002 is "Peyotemind" mostly based upon a writing from John Sinclair, which was written under influence of Peyote. The CD also contribute his vocals. Peyotemind" is more free jazz (Alice Coltrane,..) inspired. Some of the vocals overload the compositions ; the track with live vocals works best. Interesting.

Sound files : "The Dead Father", "Halloween". Information : bookbeat@aol.com or cary@thebookbeat.com
Info : http://www.psychedelic-music.net/pmdb/db3/db_band.php4?id=432
& http://www.blastitude.com/13/ETERNITY/end_is_here.htm
Other review : http://www.blastitude.com/13/pg7.htm

PS. Members of the group also have a jampsych band called THTX. Review on http://progressive.homestead.com/prog20.html#anchor_217
Orleone Rec.   Alec K.Redfearn & The Eyesores : Every Man for himself & God Against all (US,2003)****°

A year ago I heard the first Eyesores CD, "Bent at the Waist" which I thought was good (**°), but it was difficult for me to get a grip of it, no matter how many times I listened. A year later Margie from Fern Knight asked me if she could visit the radioshow again (she was guest a year before, with The Iditarod), this time with Alec K. Redfearn & The Eyshores, and since I really liked her own  demo a lot, I only gladly accepted, although I had no idea what to expect from The Eyeshores. Now, I am really glad I did, because the performance of the group was brilliant. When Alec K.Redfearn handed me over his 4-track demo for his future release, I was even more surprised. Their sound had indeed blossomed, and the recordings as well. Now when I hear the full CD I cannot but praise they have done. Not only on the Fern Knight project, but also this splendid release, where they have succeeded beyond all expectations. There's lots of dynamism, the music works as chamber music, holding the middle between various 'acoustic rock' genres, as a kind of beautiful mostly acoustic urban Rock In Opposition / Chamber Music style with a very subtle and very individual folk influence. The experimentations giving an inspired colouring are marvelous, in the brass section, in the driving accordion sound, with its precise rhythms, etc. Being song based, the music is highly acceptible and accessible while the band can permit itself subtle madness as precise and wel balanced as in classical music,yet still spontanuous. The dual voice of Alec and Margie is captivating too. The quiet parts are also perfectly filmic and descriptive. Textually the music also works somewhat conceptually. A certain cynicism towards psychological tricks in politics and prejudging views in general might be some source of inspiration. Highly recommended.

Audiofiles : "Black Tar And White Slavery", "Mole"(or here), "Nail / Total Eclipse Of The Head"
Info on Alec K. Redfearn : http://www.aleckredfearn.com/
Older soundfiles : http://www.lotsofnoise.com/bands/...
Info : www.alecredfearn.com
Label entry : http://www.corleonerecords.com/eyesores.html  E-mail : info@corleonerecords.com
Other review : http://www.splendidezine.com/review.html?reviewid=10929954151000858
German review : http://www.tonspion.de/mp3.php?id=2936
Review of earlier release : http://www.popmatters.com/music/reviews/e/eyesores-bent.shtml

PS. A sideproject of Eyeshores is Barnacled, more experimental & free improvisations.

Review of 2005 release on http://progressive.homestead.com/prog11.html#anchor_150
and of 2006 release : http://progressive.homestead.com/prog17.html#anchor_211
Cut and Paste Records Kinski Spiral : Hymns and fragments (US,2001)*°°'

A nice folkpsych pop album, with a good portioned variety of instruments and arrangements with male/female vocals. A few songs are more folk psych. A few others remind me of Stormclouds' early period. Several others are a more happy summer sounding folk psych pop with relaxed beat, all at its most enjoyable with headphones.
The cover of the album reminds me at an eyeball, with possibly its blind spot visible. I could say about it : "Any occurring enfolding criticism on this release should have to fall in that blind spot, because any plain spontaneous listening to this group is a rewarding experience." Parts have this neo 60 psych folkpop style, a few times a bit naive Indie psychpop flavoured. The many more brilliant tracks makes it defintely worth to trace for psychfolk / psych folkpop lovers !

Info : http://members.aol.com/_ht_a/cutandpasterecs/cp02BioKinski.html &
MP3 at http://artists.mp3s.com/artists/222/kinski_spiral.html
Contact : cutandpasterecords@yahoo.com
Review : http://www.martinnewell.btinternet.co.uk/kinski.html
Instant Farm                      Circulus : Giantism (UK,1999)***°

The tracks differ from various UK acid folkrock drenged pop to acid folk pop. Included is also a beautiful folk version of the medieval "My Lady Carey's Dompe". The folk pop songs are nice too. The accompanying instrumental work out is very colourful and with proportioned contrasts. In that way the usual way to interprete / elaborate traditionals has been beautifully enriched.
Other quotes from a review of Giantism in Ptolomaic Terrascope :

..."Fronted by the delightfully-named Emma Steele, a vocalist who has clearly spent an hour-or-two in the thrall of Celia Humpries, and with devastating skills invested throughout its membership, not least in the West-Coast guitar work of Eric Anholm and various instruments of Michal Tyack (guitar,lute, banjo and saz), Circulus are poised to storm the citadel of electric tradition in emphatic fasion."...
..."The songs are both craftily constructed and the instrumentation thrusts them into the realm of the extraordinary : make no mistake, Circulus are traditionalist with panache and folk-rock torchbleachers of Olympian proportions."

The single "Wouldn't dream of.." is more ok good alternative pop styled, but falls less within the range of my chosen interest. According to a listen to a later recorded live track I believe the group evolved here any how into more alternative pop teritory.

Webpage with soundfile at http://stage.vitaminic.co.uk/circulus
Homepage with soundfiles : www.circulus.org
Contact the group : circulus@btinternet.com & circulus@circulus.org or circulus.folk@virgin.net

Review of more recent albums : http://psychedelicfolk.homestead.com/acidfolkreview13.html
& http://www.psychedelicfolk.com/folk.html & on http://www.psychedelicfolk.com/acidfolkreview28.html
my suggestion of a cover for the deo, with Sean's suggestion of a drawing
official cover
private              Lazily Spun : demo (2002)**

Psych pop, some of it is acoustic. Matt Woolham sings and plays guitar, Harry Sumnall plays all other instruments (He's also Dr.in Psychology). The demo containes a few songs from the unofficial first album (private pressing) and some more from our upcoming 'official release' which was released later on Camera Obscura records- early 2003).

Website : http://www.lazilyspun.co.uk/ & http://www.psychedelic-music.net/pmdb/db3/db_band.php4?id=601
Info final official release : http://www.cameraobscura.com.au/cam055.htm
Review : http://www.dustedmagazine.com/reviews/799
& http://www.aural-innovations.com/issues/issue24/lazyspun.html
1.Camera Obscura / Private  Lifesmyth : "Music for the third ear" (US,2000)**°
2.Private/ Manatone Music            Lifesmyth : "Epiphany Central" (US,1994)**° 
3.Manatone Music    Lifesmyth : "Muse Gathering" (UK,1999)**°

1."Music For The Third Ear" :

UK styled folkpsychpop, with harmonic but softly dreamy / stoned male voice, drums, electric (fuzz,slide,etc..) and acoustic guitars. Very nice if you like the genre of psychfolk pop. One song is with added cello. There's clearly potention in all, although it might not be clear imeadiatly, from the first songs on, what exactly it's expressing or heading to. I like especially the carefully worked out "What I came with /The Polish Question". At "Beyond the Star" Scott Smith's vocals and the mood in the song reminded me a bit a Robert Wyatt. Promissing.

This release made it recently (2003) as an official CD.
Info : http://www.cameraobscura.com.au/cam058.htm

2."Epiphany Central" :

This release was recorded on a multitrack by Scott Smith, spring 1994, during a brief stay in the Cobbelstone Basement of a 200 or so year old farmhouse in upstate NY. We can hear mostly stoned songs, pressed by ghostly moving multilayered guitars, with sounds varying from a guitar driven basement rock sound to lower energy fallen asleep in the corner alternative music, sandwiched by differently coloured electric guitars and drummachine, or based upon spacy psych guitarchords that move to the outwards of the cellars, to the most opening structures of  raga driven fingerpicking guitars.  Tracks chosen for airplay : "Down Again", "The excursion".

3."Muse Gathering" :

With dual & trio layered recorded (sometimes a bit odd dreamy soft psych) "harmonic" vocals, and psych folk pop accompaniment, this is another release by Scott Smyth, with the help of 5 other musicians. The songs have the openness for some small instrumental improvisations, with well balanced (psych) guitars & drums mostly, with occasionally some moody organ & some keyboards too. All tracks fit nicely together (also because they are all made in a similar way). It has all necessary elements for a nicely coloured sound. A consistent release.

4."Aurora's Areolas" (Demo-version) (2004)**° (=G->VG)

Scott Smith worked well on this new release (2004) , with band, with a post-psychpop vibe, with multi-tracked vocal harmonies, making the music really easily appealing. This might be the most approved sound of the band, ready for a bigger public. At the same time the dreamy pop song orientation makes it for me again harder to describe or to lift out particular songs. Well done !

Contact : Scott Smith,7096 West Old Highway 64,Lexington, NC 27295
Webpage (with audio files) : http://www.geocities.com/lifesmyth and www.lifesmyth.com
E-mail : lifesmyth@iname.com next album->
Perhaps Transparent RecordsPothole Skinny : Time Shapes the Forest Lake (US,2003)****

A beautifully designed cover, for a group with a beautiful name, "Pothole Skinny", a name that reminds me of potheads like Gong, as it gives me the impression this must be a name for a psych folk pop band. It is in fact even more in the direction of acid psych folk through very moody instrumentation, with a feel for both pop song structure as with an openness to create various colourful moods, with harmonium, bowed psaltery, gopichand, harp, acoustic guitars, and cello, especially on "Antique Gasoline". It sounds like a perfect soundtrack, not as accompanying music, but as WITH the movie and story and everything on it, with beautiful landscapes included, and with enough peace within to enjoy each moment. What kind of movie, would you say ? Something in harmony with nature for sure, where "time shapes the forest lake". While the songs themselves are human impressions, directing, and acting, communicating, the instrumental passages are the colours of the environment enriching human comfort. The 6th track, "The Ernest Equinox with a distorted electric guitar and underground rock experiments (like early Sonic Youth) with additional layers of "stoned" ethereal vocals and experimental guitar coloured sounds is somewhat different, even more urban like. It is another creative "painting" of sound ideas for another similar mood, still creating an effect of colourful comfort. All ideas of Pothole Skinny are well balanced, and with clear expressions, always flowing as gently as noon breeze and the ever moving shadows of leaves in bright sunlight. A perfect listen. Highly recommended.

Audiofiles : "The Sussex Railroad Song", "May-Gun Explosive Flower"
More info : http://www.perhapstransparent.com/ & http://www.potholeskinny.com/ with this release : http://www.potholeskinny.com/timeshapes.htm
E-mail : potholeskinny@hotmail.com
Other reviews : http://www.fakejazz.com/reviews/2003/potholeskinny.shtml
& http://www.ink19.com/issues/june2003/musicReviews/musicP/potholeSkinny.html
& http://www.mundanesounds.com/record_review.php?id=384
& http://www.musicspork.com/reviews/pothole.html
& http://www.tinymixtapes.com/musicreviews/p/pothole_skinny.htm
& http://www.erasingclouds.com/28april.html#40
Italian review : http://www.muzikalia.com/leerdisco.php?referencia=699
Private  The Wind Marbles : Wooden Eyes EP (UK,2003)***°           -(click picture to see better)-

Being confronted too much with loud in your face music without any place for inner peace and content, it is a relief to hear groups like The Wind Marbles' pleasant sound :  folk pop music songs sung with moody rich and highly enjoyable voice, with some other harmony vocals, arranged with a warm full acoustic sound. (The group's intention was to make psychedelic folk music). I hope the group continue to express a richness in sound in their music, where the instrumental music gently follows and contributes to the structural song. A promising debut.
About the singer : my girlfriend said she was reminded of Mongo Jerry. She found the music great too.

To be played in the radioshow : track 1,2,3 of 4 tracks !
Info : http://www.theprom.co.uk/reviews/windmarbles.htm ; E-mail : info@thewindmarbles.co.uk
Trust Me Rec. Bernhard & Bianca : The wedding Present (N,2002)***°

We can hear nursery rhymes & dreamy songs in a neo-sixties folkpsych (indie) pop style with male & mostly female vocals. Some songs are more flavoured with a pleasant neo-alternative touch, always in a very gentle colourful style, with beautifully textured arrangements (with more or less a 60's band & additional melodica, Hammond organ, tambourine, etc.). The group has been compared to Moldy Peaches.* The group consists of 6 persons during live acts, but on the CD the duo played everything. A very fine and pleasant album.

Audiofiles : "Crazy Tonight", "The Garden Is Quiet"
Homepage : http://www.bernhardbianca.com/ Label entry : http://www.trustmerecords.com/bb/
& http://www.trustmerecords.com/bernhardandbianca.htm

PS.  Honestly I don't know why this reference has been made with this group. Although possibly a couple of the more gentle songs might sound like them, this Indie group is different. I heard bad comments about Moldy Peaches, about their deliberately sounding and writing bad, and how somewhat tasteless they did this. I know only that this band from Norway keeps a tasteful sound.
go to review page 2->
or go back to Acid Folk index page
or go to general music index page




Psychedelic Folkpop :REVIEW PAGE 1
-all listed items were given airplay in "pvhf" ; the earliest pages were mostly kept for references than made for real reviews-
Listed on this page are : The Asqelon Quilt, The Aquarium Poppers, Talking Trees (2 releases),
Monster Island, Kinski Spiral, Circulus, Lazily Spun, Lifesmyth (3 releases), Pothole Skinny,
The Wind Marbles, Bernhard & Bianca, Alec K.Redfearn & The Eyesores
Hi-Note       The Ashquelon Quilt : The Event  (IS,2001)***'

Several groups from now are re-examining the kind of songcomposing of songs from Pink Floyd or Velvet Underground, how they would do something similar fitting in our times... This specific group recollect ideas even beyond that new perspective, with some wider curiosity, within this approach. The result is an evolving instrumentation without too much contrast, creating a wider ranged area from within this approach. Most of the singing as well as some of the  instrumentations being used reminded me of early Gorky's Zygotic Minci. Fans of theirs should certainly find alikes here, although the core of interests might be somewhat different. The female fragile voice reminds of some of the now recollected 70's UK underground folkrock groups. Especially the last track shows that this group goes beyond retrospective pop with some interesting influences, a 10 minute folk symphonic psych pop song !

Web Page label : www.hinotemusic.com with small review at http://www.artist-shop.com/hinote/ with a soundfile excerpt of the song 'Twilights'
Private        The Aquarium Poppers (2001)*°

They perform some neo 60's popfolk, mixed with some nice reverb effects, on half of the tracks. But I believe there are some modern Indie Pop interests too, which are not within the scope of interest of these webpages.
Worth to check if you are interested in both fields...

Homepage : http://aqpop.fupp.net/
Other page : http://www.psychedelic-music.net/pmdb/db3/db_band.php4?id=360
Other release : http://www.puls.no/a.cgi?id=7510 with review :
http://www.splendidezine.com/review.html?reviewid=321433905864462
Contact Karl Morten Dahl at kmd@fupp.net
1.Private Talking Trees : demo album (UK,2002)*°     
2. Septembergurls Rec.            Talking Trees (2002)***

demo I reviewed first :

"A one man project by Sean Chambers of Folkpop with psychfolkpop or something like that. Several songs are pleasant,  does not cross the usual UK folkpop. Luckily a few songs are more worked out. I like the Kitchen Cynics/Gorky Zygotic like Grace Slick cover "Lather". The arrangements on "Dance on the Wind" (with harpsichord) sound also much nicer. Whenever Sean uses rhythms I don't like him there, but I heard he did not have much possibilities to record all like he wanted to. And I heard he is working on getting a band together to play his music with a full band, which I think is a positive thing to hear. Most of the demo has very clear UK folkpop influences. I hope I will hear again from his band. This can either develope into soft folkpop, as into much more psych folkpop. I hope I can keep you informed."

review of the final official album :

Luckily the recordings, done in studio in April this year, did succeed to optimise the music, this with help of a good recording engineer, Mark Warden, and with the help of Stephen O'Sullivan on bass guitars, Steve Tucker on organs and piano, and Dan Barrow, drums. Also, luckily the participating musicians understood Sean's music well. Most of the tracks on this release recalls the more subtle UK softfolkrock pop groups from the seventies, (Kaleidoscope,or like Gorky's Zygotic Minci,...), somewhat modernised. If these kind of styles would interest you, you should check this release for sure. The mood which I liked already on the demo, on "Lather", can be heard throughout most songs now.

Some people make comparisments here with Green Pajamas.

Audio : "Somewhere Upon Worlebury Hill", "Dance With The Wind"
Sean Chambers can be reached at Talkingtrees@bushinternet.com
Webpage: www.talkingtrees.com & http://www.psychedelic-music.net/pmdb/db3/db_band.php4?id=505
Label entry : http://www.septembergurlsrecords.com/index.php?section=BAND&item=34


3.Wildshine Rec.        Talking Trees : Delusionland (2006)***

The follow-up of the debut has the same qualities as the previous album, perhaps in a more finished technical form. This is enjoyable and fashionable, almost-singalong-rhythmic, simple and happy psychfolkpop with a '60's flower power pop flavour. Some tracks are more acoustic (like the brilliant "Bread and circuses"). The vocals have accents of '60's flavoured psychpop harmony vocals. A very fine album.

Participants are Sean Robert Chambers : Vocals, Guitars (some fuzz) ; Steve Tucker : Hammond organ, Stephen O'Sullivan : Piano, Keyboards, Bass Guitar.   

Audio : "Praying to St. Jude", "Mammon Mandarin","Athabasca"
Info : http://www.angelfire.com/goth/talkingtrees/page5.html ; Label : http://www.wildshinerecords.com/
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PS. I also did a radioshow on 90's psychfolkpop examples. What was airplayed (with links, covers,..) you can see on the first page on Psychfolkpop : http://psychedelicfolk.homestead.com/Psychfolkpopreview.html
Private  Lifesmyth : Aurora's Areolas (US,2008?)**'??

"This album opens promising with Living The Life. A lovely haunting song with a strange ending that comes too soon. But this makes one long for more… and is there? Yes. If you liked Smiths’ previous albums, you won’t be disappointed by this one either. It’s all still there: The Barrett-like chord changes, great entwining fuzz guitars weaving webs around the dreamy, laidback vocals and nice subtle drumming. Besides the opening track other songs such as “All This Stuff Goes Away” and “Look Into Me” stand out. The occasional string-synth sounds a bit outdated though and on some tracks the vocals are mixed a bit too upfront but those are just details. Lifesmyth made another charming record, just a bit more eerie and claustrophobic than the precedents. Aurora’s and Areolas: Late night paranoia and hazy morning…" Koen Birds

Info : www.lifesmyth.com
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