private cdr       Support Force : Interrupted Goode Homolosine Projection (US,2008)***

What ? “Interrupted Goode Homolosine Projection” ? Yes, I suffer from this now and then as well. But just to be clear : this is actually the title of this EP released by this myspace solo band called Support Force. It is quite entertaining music, a mix of a sober and more melodic Syd Barrett, an early T Rex and some ..different sort of hippie (=Jonathan Magdaleno) who enjoys himself obviously with junk guitars, strumming, picking and distorting the recording, and with his songs singing on or also distorting the recording, and this with touches of fuzz bass, organ, rain, mandolin. Yes, I love this hippie music with strummed rhythms and alternated creativity and an ear to welcome psychotic hypnotic sounds amongst much movement of joyful (?) anxiety. 

Audio and info : http://www.myspace.com/supportforce
Homepage : http://supportforce.wordpress.com/
ACID FOLK & PSYCH-FOLK related items REVIEW PAGE 28 :

Support Force, Luc (US); Novemthree/The Joy Of Nature (US/PO) ; The Hand (F/UK), Wig Smith,
Kelli Ali (2x), Sand Snowman, Thee,Stranded Horse, Circulus (UK), Roger Wootton & Piu (UK/S)

Go to next review page->

or go back to psych-folk index
or go back to general index




promo cd
digipack-cd
One Little Indian Rec.       Kelli Ali : Rocking Horse (UK,2008)****
One Little Indian Rec.Kelli Ali : Little Savages -download single- (UK,2009)****

While in her younger days Kelli, under her birth name Kelli Dayton, made sexy teenage triphop, while something underneath showed already its interests for building up a more beautiful natural world. The focus on her third solo release took three years to complete into a song cycle and is expressed with a more acid folk style, attracting Vasthi Bunyan’s producer (of Vashti’s more recent, second album) Max Richter to guide her. Her own sweet voice surely fits well for this approach.
The song cycle, 13 songs in total, show a growing consciousness involved with a love story to find comfort and her place in a more uneasy world guided and inspired by an idealistic heart, looking for a balance like in a magical state and place. All the artwork was ready for a digipack release which included the lyrics, but it became a jewel case instead (together with a single carton box promo version).
The arrangements are truly perfect, with some post late 60s, early 70s flavours : acoustic arrangements with acoustic guitars, piano, flute, some Floydian organ (the bird song with organ) on “one day..”, and some string or reed arrangements and a handful of other touches of arrangements (glass, tambourine, glockenspiel,..). Truly enjoyable for winter fire light nights, autumn leaves passing by. Great to know is that she has a heart for poetry.

Two beautiful tracks can be found on a digital 3-track single. The first outtake shows the sort of arrangements I was talking about (with a post-medieval magic feeling confirmed by two oboes, harpsichord touches, acoustic guitar, colourful keyboards on “the savages”). Also included is a different and interesting “acoustic version” of “Rocking Horse”, with arrangements by acoustic guitar, progressive flutes, cello or double bass and violin, somewhat provoking a rather romanticised but still vibrating energy as a tribute to provoke a magical faerie dance. Last but not least is her version of the beautiful “Willow Song” (Wickerman). Her voice handles the original very well. Highly recommended!

Audio : "One Day At A Time" or on http://www.youtube.com/...
Audio and info : http://www.myspace.com/kelliali
Homepage : http://www.kelliali.com/ & on http://www.facebook.com/...
Label info : http://www.indian.co.uk/kelliali/
and releases : http://www.onelittleshop.com/index.php?cPath=27
Other reviews : http://www.bbc.co.uk/music/release/3xbd/
& http://www.musicomh.com/albums/kelli-ali_1108.htm
& http://www.themusicmagazine.co.uk/reviews/albums/1764
& http://www.brightyoungfolk.com/gigs/blog/kelli-ali-rocking-horse-review.aspx
& http://www.guardian.co.uk/music/2008/nov/21/kelli-ali-rocking-horse
& http://www.experimusic.com/altrock-kelliali.htm
& http://indiepassion.blogspot.com/2008/11/kelli-ali-rocking-horse-2008.html
& http://www.ravemagazine.com.au/content/view/12832/180/
& http://www.fasterlouder.com.au/reviews/music/16604/Kelli-Ali--Rocking-Horse.htm?city=4
& http://astoundingsounds.wordpress.com/2008/11/10/kelli-ali-rocking-horse-2008/
& http://www.leedsmusicscene.net/article/10170/
& http://www.motorbar.co.uk/cd_kelliali.htm
& http://hangout.altsounds.com/reviews/103188-kelli-ali-rocking-horse-album.html
& http://www.thedwarf.com.au/nd/albumreviews/rocking_horse_kelli_ali
& http://musicratty.com/article/d2af5fcbc37b1582bd43344cb2688642
& more on http://www.kelliali.com/index.php/forums/viewthread/298/#3803
Tonefloat Rec.          Sand Snowman : Two Way Mirror (UK,2009)****'

Like a beautiful trilogy with a comparable compositional concept this is the third LP reissue (now also on a mini-double LP sleeve CD). The backing vocalists are Steven Wilson (Porcupine Tree), Jason Ninnis and Moonswift. The whole album sounds like a well thought over large composition in different sections and with a natural, semi-improvisational nature. The mood brings you in an eternal timeless atmosphere where everything seems to disappear except sound and its visions expressed in time and harmony signatures. The acoustic guitar (or two) lead more often these quiet themes, while distant electrified guitars bring textures and confirm the feeling of being at that time in a bubble in space. When piano is added, this can change into a contemporary classical atmosphere, as something of a 20s 30s time adventurous perspective. Sometimes this piano is quiet as well. The intensity of this meditative different time-perspective can be intense in its minimal character, while textures surrounds and before like on one part other elements appear, when a voice comes in at a certain point it sounds as if this is a cello part for a classical composition. The whole music unfolds like colours seen from a drifting boat. But also songs are added or better said are part of the transformation of moods. Harmony vocals, flute arrangements all are able to become part of this expression. And even a few more rhythmical parts direct towards an almost more relative “poppy” approach, while remaining a distant perspective away from this world. In the quietest passages some bass sounds can swell into it, or small reverb tensions from the same guitar. Possibly there was much improvisation involved, but the intention of keeping it together is very strong too. At times you think this is almost classical, but also progressive, not only in the parts with a little bit of drums and bass and electrified guitar, but also in the most abstract acoustic meanders.

Another rather brilliant album, from a highly recommended pair of three.

Audio and info : http://www.myspace.com/sandsnowman
Label info : http://www.crazy-diamond.nl/tonefloat/html/tf59.htm
& http://tonefloatrecords.blogspot.com/2009/01/tf59.html
Performance reviews : http://www.tokafi.com/newsitems/concert-review-sand-snowman-fear-falls-burning/
and in Dutch : http://onstage.nl/onstage/...
Other reviews : -

Previous albums reviewed on http://psychemusic.org/prog21.html#anchor_238
& http://www.psychedelicfolk.com/acidfolkreview17.html
Talitres          Thee, Stranded Horse and Ballake Sissoko -12"- (F/ML,2009)****'

I listened a couple times to this new release by Thee, Stranded Horse, a project by Yann Tambour (Encre), here a duo with Mali kora master Ballake Sissoko. The sound of the kora alone, in this release sounds like the most beautiful colourful string instrument I have heard in years : I really had this wow feeling that this is the instrument I was looking for for years which would fit better with my personality, and which gives a more perfect balanced sound between a lot of instruments, while from all these other instruments like guitar, harp, lyre, zither, sitar, you name I felt I was something missing. If you like the wonderful rare instrumental improvisations on records from 2 twelve-strings at once this is even more subtle, and yet rhythmic drive, melody and colourful creation of sound are also in balance wonderfully. But also when the Kora (West African harp with calabash resonance chamber) is combined with acoustic guitar, it is as if four fingers are melted into one inspirator, one improviser, with minstrel like qualities. 3 English songs and one French song are sung by Yann, with improvised instrumental parts, while changing pitch, colour and intonation in his voice. On the first track there’s at first a touch of a softened and folkier Neil Young, with more warmth and minstrel qualities and evolution, while the second song starts a bit more with a half sung spoken word inspiration in between Current 93 and Simon Finn’s emotions, before warming up into the healing sounds again. The French song is with the most introverted and pastoral energy, while the last song swings more, smoothfully, like a colourful fantasy, with a happy sweet-bluesy touch. Highly recommended ! One of the best acoustic releases of this year so far.

Only afterwards I have read that the four songs were re-worked versions from the band’s previous, and second album “Churning Strides” (2007). The duo planned further live gigs. Influences of inspiration span Western African Delta Blues, French chanson, Tyrannausaurus Rex and perhaps John Fahey, John “Missisipi” Hurt, all favourites on myspace.

Audio : "Tainted Days"
Info & audio : http://www.myspace.com/theestrandedhorse
Video : http://www.youtube.com/... & http://babylonoise.wordpress.com/...
Homepage : http://www.theestrandedhorse.com
More band info : http://www.blanktapes.org/index.php?page=artists&artistID=4
& http://www.boomkat.com/artist.cfm?a=10127
Article : http://arpitmehta.blogspot.com/2006/12/thee-stranded-horse.html
French Concert article : http://www.xsilence.net/concert-881.htm
Interview : http://www.geocities.com/aen1mpo/encore.htm
Radio broadcast : http://radioaperitivo.blogspot.com/2007/05/thee-stranded-horse.html
Review of 7" : http://onlyangels.free.fr/reviews/t/thee_stranded_horse/thee_stranded_horse.htm
Agoo Rec.        Luc : Peaofthesea (US,2005)****

Before Luke Wayland formed his band Au, his musical project was called Luc. This release seems to have been overlooked a bit and that’s a shame. It sounds pretty much like a laptopfolk project, a professionally recorded kitchen inspiration, although all you hear is entirely acoustic with no extra effects whatsoever, the cleverness of combining sounds is remarkable. Mandoline(?) or banjo (?) and a bit electric and mostly acoustic guitar pickings, accordion, stick ticking on tables or on the guitar body, hand clap rhythms, real percussion (and a bit of piano) is combined with song or dual modern hippie singing, finding noises with its mouth and textures. The moods are diverse, and rhythms building up. A few times sound creation, melody and rhythm are combined and built up in such a way they seems to create a tuning in a harmonic hypnotic hummed happy drone, complete clarity in sound expression is always there. The ideas are so spontaneous and real in it’s a creative research the enjoyment touches the edge of humour seriously. Very nice.

Info : http://www.myspace.com/peaofthesea
& http://www.au-au-au.com/
Label info : http://www.aagoo.com/records/17.php
More recent project is Au. Review on next page->
Little Somebody Records  Novemthree : Meandering in Streams Of Reflection /
The Joy Of Nature : Auguries Of Innocense -2mcd- (US/PO,2009)***°

This split double album is presented with a lovely and attractive handmade package containing two mini-sized cdrs.
The first album, by The Joy Of Nature is a 7-track mini album with a certain well hanging together variety with some strange combination of darkness and dark sounds and sweet innocent acoustic spheres into a song cycle entitled with one of William Blake's most frequented quoted poems, “Auguries of innocence”, which for the maker seems to have worked as the symbol for a reflective mood keeping innocence intact while giving focus to further imaginable or real experiences. It also contains two covers, "Nobody's fault but mine" of Dream City Film Club and "The show is over" of Nora Keyes. The first track is sung in German, reflects a more neofolk sphere. Various other tracks reflect a world more comparable to a simplified version of Edward Ka-Spel or Use Of Ashes, but with complex layers of various different musical ideas (distant and closer piano, acoustic and electric guitars, harp-like strings, darker keyboards and glockenspiel, sad acid folk flutes, and some dramatic voice additions).
The Novemthree part is said to have been more into the poems of Hermann Hesse (2 tracks), I’m not sure in what way, (unfortunately I have never checked his works), with one track by Chelsea Robb and Pythhagumus himself.
Some instrumental tracks, -like after-ritual pagan meditations-, are alternated with sad, almost hummed, contemplative minstrel songs, accompanied by soft harps or acoustic guitars, flutes, (handbells,..) and some ultrasoft or subtle hand percussion bass rhythms. Very sweet and nice acid-psych-folk.


Info : http://www.myspace.com/novemthree & http://www.myspace.com/thejoyofnature
& http://www.myspace.com/littlesomebody
& http://www.autumnwp.com/catalog/product_info.php?products_id=1746
& http://www.heathenharvest.com/article.php?story=20081209142850615&query=.
& http://www.nonpop.de/nonpop/index.php?p=news&newsid=915&area=1&print=1
The William Blake poem : http://www.bravebirds.org/blake1.html
Herman Hesse biography : http://www.geocities.com/hesse_nepal/hesse.html

Interview : http://www.eveningoflight.nl/en/interviews/pythagumus.htm
German interview : http://www.nonpop.de/nonpop/index.php?type=preview&area=1&p=articles&id=1283

Earlier releases : http://psychedelicfolk.com/acidfolkreview15.html#anchor_336
Mythical Cake Rec. Circulus : Thought Becomes Reality (UK,2009)****

Despite that I knew already how people see easily some ‘science fiction’ and ‘Aliens’, like wrongly understood interpretations of the esotheric or religious associations in some descriptions of ideas about the creation of the earthly beings and people, as if all these descriptions written down in poetic visions or in theoretic explanations are about something completely physical, in each detail of its expression, while in reality they are about different sorts of evolutions than on a physical level, and are about something governed by different but also steering principles that make them another part of reality, like for instance as a ‘creative principle’ to name it more simply, something which in its essence is supposed to be more known and understood and steered by some creatures somewhere, in history, or of which are more produced by a certain level of experience, which had also some structural preparations to make this happen, before evolving more and more consciously,.. I still was intriguiged by the idea that some people made from this (like the French Raël’s even rather simplified visions about the idea) that the creators of Mankind and the creators on Earth (the Elohim) were actually aliens (??...). But even in theosophy there exists some ideas that make suggestions that these creative constructors, who took care of the developments of all creations on earth, had a physical existence at that stage (so no “light beings” or “Angels” in the background here, just like other creatures with their own comparable sort of evolution plan and existence, even when started long before our evolution), so now I don’t know what to think of this possibility of a reality any longer.
Another idea which does not bother me personally so much but many people do make spins around this is the Mayan calender, a circular stone with calculates of time evolutions until 2012 (-it is a circle in the first place, so why should we panic as if even the circle itself should end in 2012, together with the whole world, so why not universe). “The final Judgement” therefore now is placed by some fantasists, after so many other dates before this, in 2012, where some people might be “chosen” to be beamed up by UFO’s to be saved from world’s destruction.

It is this sort of Science Fiction fantasy which is used here to give this a musical concept with a positive perspective to go to somewhere better, when beamed up by these mushroom-UFO’s to some new paradise state. In our temporally state of world crisis and degenerations of cultural and human habits, I think this is a good excuse and idea and new possibility to create such an imaginable island of good energy. And, like the front cover says, “thoughts becomes reality”, this does not only say that we must be aware of our responsibility of what we do now and how we could imagine it to change, into destruction or something else, Circulus makes that musical island’s opportunity, as an expression of cultural richness of the past as an opportunity today, as something which might be able to be saved for later, indeed. I mean, this gives a comparable world which once was expressed and started by a group like Gryphon in the 70s, as medieval folk-rock with crumhorns and flutes, with medieval dances the right renewed and transformed energy of this to do something with it today. This is partly a story songbook, about beeming the band up to new worlds, in song, creating a whirling medieval folk dance energy, so that it makes them ready to be beemed up while aliens in the background, like elves or pixies, enthusiastically drive the engine up until, they are ready and come into this new paradise, celebrating there the old folk dances, saved from this world, with heavy guitars, with a powerful sound. Yes, the band’s sound developed into something really enjoyable, a new sort of folk-rock with medieval flairs, into its own unique expression. Well done !

Info & audio : http://www.myspace.com/circulus
Info : http://rikowski.wordpress.com/2008/12/15/thought-becomes-reality-by-circulus/
& http://www.spiralearth.co.uk/news/story.asp?nid=1859

Interview : http://www.spiralearth.co.uk/interviews/Michael-tyack-interview.asp

Previous releases reviewed on http://www.psychedelicfolk.com/Psychfolkpopreview.html
& http://www.psychedelicfolk.com/acidfolkreview13.html & http://www.psychedelicfolk.com/folk.html
Mellotronen Roger Wootton & Piu : Cut the air at Mello Club (S/UK,rec.2009,pub.2009)****'

Some attempts have been made to bring the band Comus back together for a concert in Sweden at the Mellotronen label’s club. For practical reasons, only the weird folk lead singer Roger Wootton came over, to perform Comus songs and a new one together with the new promising psychfolk band Piu. Their lead singer Lisa Isaksson was a perfect replacement for the original female voice, and the band has practiced well the difficult violin, flute and other parts.
And to my amazement, this formula worked well. Roger’s voice is tempered slightly as if it does not have the same young weird wide range of vocal madness, the inner feeling is intact, and convinces completely, especially after a second closer and unexpecting listen. Never the less, after comparison with early Comus material, I think that the opener, “Down (like a moviestar)” in the new version sounds even better, more fitting with earliest Comus compared to the mix with harsher percussion on the original second album, and here the song content comes over better as well. This is followed by “Song of Comus”, a song I would never have expected ever to be tried a second time and be a version capable of competing with the original. But with the original singer, a well rehearsed band, and with a slightly different violin arrangement, this is of course still highly enjoyable. A beautiful surprise is the two songs to complete the score, by Lisa & Piu, fitting actually well as a new band, to present songs for the softer side of Comus, revealing and meeting the beautiful voice of Lisa. Great to hear also is a second chance for the Comus band “to reveal itself” with a new song, performed by Piu in the original Comus style, called “Out of the Coma”. The last old Comus track, “The prisoner” is an interesting variation to the original, and has a charming unexpected ending.

A memorable concert. Dedicated to the memory of Michael Piper.

Info & audio : http://www.myspace.com/melloboat

Previous review I did of Comus : http://psychedelicfolk.homestead.com/reissue2.html#anchor_121
Previous reviews I did of Lisa & Piu : http://singersong.homestead.com/LisaOPiu.html
Angels Egg The Hand : Berries from The Rubble (F/UK,2009)****

The Hand is the cooperation between Rachael Dadd (who has released a few solo albums before) on banjo, voice, guitar, clarinet, ukulele, harmonium and percussion and Wig Smith on voice, kora, guitar, piano, autoharp and percussion. Not just guitar and kora, but also ukulele/guitar, banjo/kora, and other combinations. That has beautiful finger picking combinations, which occasionally turn the songs into something lullaby-like, while the moods could take you anywhere else. “The Wind Blows the same way” for instance sounds like a travelling folk journey. “Dove Come Rain” with additional harmonium is very descriptive almost filmic music, leading into meditative poetry. Most often instruments like the banjo or ukulele lead the mood a bit more than other instruments. Some of the songs have a flavour of the British Isles, with its subtle rich acoustic folk elements, the stretched over sea perspective and the soft and sweet female vocals working like cooling water, like on “Maroosia, in dual vocals. Here it seems as if the kora is a Celtic harp with a wider range of melodic possibilities. The songs lead equally as much as the fingerpicking evolutions, which hum moodily, and which are like beautiful waters that carry or draw someone into them, drowning him occasionally into a dreamy state, sometimes like a dance inside the head, humming. The song which jumps out most as a song is their beautifully arranged Sibylle Baier song. A recommended album. Please check also out Wig Smith album (just below).

Audio :  "And Fold","Hovering Wasp","If He Did Go"
Info & audio : http://www.myspace.com/thehandand 
Homepage Rachel Dadd : http://rachaeldadd.com/
Japanese info : http://www.pastelrecords.com/SHOP/the_hand_ae-004.html
Label : http://www.angelsegg.jp.org & http://www.myspace.com/angels_egg 
Angels Egg Wig Smith : A Means Of Escape through a Hedge (UK,2009)****'

This album invited me to listen many times, and even then I didn’t grab all songs for the guitar/ukulele/kora arrangements are so much leading the mood like melody lines they seems to make their own songs, like Pre-Raphaelite paintings and its specific minstrel/almost fairytale area like mood. The strong opener “Frost” is such a song that fits with that area most clearly, a poetic song related with the seasons, with father frost and being like children walking in nature, where its nature’s conditions becomes part of each person and of each thing that happens. The harp-like kora seems to have its own rhythmically singing layer, with a relaxing heart-felt rhythm while the song adds a new layer on top of it and little bits of piano notes are as if they are being plucked in between some of the pickings as if being a few extra strings. This piano introduces the next song, playing playfully mechanically, like in an old time surreal sphere, a barrel organ for some sort of shadowy puppet theatre, until harmonium and amplified guitar are added to the scene. Like in “Ivy”, also the fingerpicking guitar songs have similar to the kora layer, song-like melodious lines, having its own song-lines in the picking swaying in the air, confirming with the extra melody of singing on top, a little bit of independence from the core, a minstrel-like atmosphere. The additional kora elements and arrangements are then dancing around it. The result has this beautiful richness with the colours of a lucid dream. On “Sprigging him with tansy” the harmonium adds a dramatic tension, while the kora makes it lighter, the voice like the sum of instruments ranges from melancholy to happy feelings, once more I’m inside the paintings. “Rosie” is a folk-bluesier guitar picking song, with a bit of echo on the voice, and a nice humming arrangement. Each song really adds new flavours and elements, like subtle changes. A nice additional element are some clarinet arrangements and beautiful dual vocals with Rachel Dadd on “Bellow’s Song”. This clarinet you can hear on “Keeper of the Swans” as well. “Three-cliffs” songs might also refer to the three picking techniques used in the song, of slide effects on guitar, ukulele and kora, a beautiful combination. A keeper.

Info & audio : www.myspace.com/wigsmith
Japanese info : http://www.pastelrecords.com/SHOP/wig_smith_ae-005.html
Label : http://www.angelsegg.jp.org & http://www.myspace.com/angels_egg 
Article : http://pantry.wordpress.com/2009/01/19/heart-and-hands/